Character and identity
A large and recurring theme in the game is that of identity, and to its credit the game features some well crafted characters that are appealing and interesting. The game's leveling up pathways for each characters differ, as does the equipment they can wear and the abilities they can learn, something that I really like as I think it reflects faithfully the principle that each individual is created by God for a definitive role or purpose and that they find fulfillment in living according to their design.
Ultimately every human person has been known by God from eternity inasmuch as God has known Himself from all eternity and each person reflects or embodies in creation an attribute of God Himself. In the loving gaze of the Son proceeding from the Father is contained the blueprint for all created persons. When we speak of vocation it is the objective fact that God has designed you to encapsulate in your life and personality a certain fundamental truth about Him.
We find this in FF9 in a way we don't see in FF7 where Cloud can essentially be molded by the player into whatever role the player wishes, or in later FFs where over time characters move out from their given roles. In FF9 there is an understanding that it is good to have an identity, that the quest of finding out one's identity is a worthwhile project and that fulfillment is somehow to be found through living in accords with that identity.
Each character in FF9 struggles with these issues of identity and almost half of the characters realise that they weren't who they thought they were to some degree, they then have to adapt to the reality of who they really are and discern how this is to be lived.
From a Catholic perspective some come through this crisis better than others. I think Garnet comes out very well, she integrates the fact that she is a summoner and not the biological child of the queen very well, she is honest with herself and those near to her that her background is more complicated than it seemed and yet she realises that 'who she is' is shaped by more than just biological factors and that her calling is nonetheless to be future queen.
Steiner comes through his crisis fairly well as he realises that essentially to be a good knight requires him to serve the crown faithfully but that of even greater importance is to obey the moral law written in his heart.
Vivi is a very interesting character and probably my favourite character in the game, he has the most explicit identity crisis when he discovers that he is manufactured and manufactured to carry out an immoral purpose.
Vivi doesn't at this point reject the fact he is a black mage, something which could have happened, or alternatively decide that he has to be an evil black mage. Vivi seeks to realise how being a manufactured black mage need not mean living a destructive life. Vivi's powers and abilities which being a black mage endows him with, can be used in a good means. In both the case of Vivi and Zidane the ability to make friends, to experience loving relations, seems to bring life to their unfortunate inherited natures of being creatures intended to destructive purposes.
Here is a glimpse of the reality that each of us, regardless of how messed up our family background is, possesses a fundamental vocation to love and that in loving others the meaning of our lives in illuminated. When we love and give ourselves in love we come closer to enabling who we really are, in God's plan, to surface.
Reality of Objective Moral laws.
Final Fantasy 9 actually does fairly well here, much better than 10 or 12, there are clear “conscience characters” such as Vivi and Steiner who are reliable in asserting the moral order. Everyone knows that the mage-manufacturing is objectively wrong, that it is an undignified way to come into the world and a perversion of the natural creative order- it doesn't need to be vocalised, it is presumed quite rightly that what is going on is wrong and that an objective moral law that is being broken.
Interior Struggle to pursue the good.
We don't see too many occasions where characters have to fight their fallen side and selfish inclinations to do what is right, perhaps in Steiner as he vows to rescue to princess or fights to the end to try and defend the castle. The good characters generally find it easy to pursue the right course. When it comes to the struggle to remain pure and live a chaste life, there are some problems with modesty on behalf of Garnet and clearly Zidane has issues with the ninth commandment. Overall however the game is not generally impure, even if there is no recognition of the battle to remain chaste which we must all undertake and the virtue in being victorious in this fight. That Cid experiences a punishment for his womanising behaviour is treated with humour, but certainly it seems that after the experience of having been a variety of different creatures, he is quite sure that he is now going to remain faithful to his wife, nor does he have any resentment towards her but realises that her punishment on him had been deserved in some sense.
working through free will. Providence
There is no reference to providence or the concept that there is higher power at work in bringing about the good. There is some irony in that
instruments to destroy Gaia end up destroying him. That evil destroys itself
through its wicked schemes is an important truth that the game seems to echo a
number of times. Garland
Self sacrifice for others
On quite a number of times we see characters choosing to stay to fight with their friends when the friend wishes to go on a solo vendetta. There is a very strong emphasis on the value of fighting for the good and being willing to join another in his own personal struggle for what is right. At the end of the game we even see Zidane wishing to undergo great danger to be with Kuja, and even possibly to save him, he does this on the basis of understanding that he could have easily become like Kuja, and also after recognising that Kuja has been responsible for teleporting the party into safety.
Basic Christian Theodicy- Monotheism, Goodness of creation, understanding of eternal reward/punishment based on moral behaviour.
After having commented on how supportive the game is to a basic Christian worldview we finally come to its major weakness! Unfortunately, the game has major problems in the area of the natural theology. Only gradually do the problems become apparent and they are generally confined to the last disc. I will outline three problem areas.
1) The game has the typical FF poison of viewing souls as recyclable, the idea that, after you die, your soul returns to the planet, to then, at a later point be given to another individual. This idea essentially does away with any concept of reward or punishment for good and evil, and the fate of each is exactly the same- essentially annihilation. This means that the whole emphasis on identity and character present throughout the game is rendered rather meaningless for ultimately you have no lasting identity, you are a recycled soul that will, very soon, sink back into the mush of soul energy. The nature of the soul is even more problematically presented as the game explains how the souls of the dead that are inside the planet can be sucked up to be used to power airships, and indeed to animate artificial creatures. This undermines the previous strength of the game in emphasising the dignity of the individual as a person with a unique identity and so the player is ultimately left very confused as to whether his life has any meaning at all, or indeed, whether his life actually is uniquely his own or is some kind of reincarnation job.
2) Then there is the problem about how the game answers its own ongoing question of "what is the meaning of life?" The issue is significant for Vivi because he does not have a clear identity/ character which can easily offer his life meaning. Vivi, at one point in the game, perhaps its highest point, considers what it means to die and whether life continues after death, the moment is profound and well crafted.
Sadly the conclusion he comes to at the end of the game and the solution that the game promotes is the following: A) that 'our memories live on' and B) that we should live life “to the full” while we can. With respect to the first 'solution' (A) the game proposes a bizarre theory that all life, apparently having evolved from space dust, has a connection to each other and that the connection carries the memory of lower life forms- I'd like to see how consoling that doctrine is to someone on their deathbed. It is philosophically ridiculous for obvious reasons. Even if we take the view that memories have a physical side to them and are in some way impressed upon the brain, it is certain that a rock or a particle in space cannot possess a memory, Furthermore, even if memories are simply physical qualities of the brain, the brain is not, in its entirety transmitted in sexual reproduction. Aside from the nonsense pseudo science, at its most basic sense, Vivi's first solution is not evil and it has some basis in scripture. In the Old Testament there is a strong sense at times that it is a good thing to be remembered as an honorable person in order to be an example and encouragement for future generations. The point is however; our memories do not live on somewhere out there, floating around in the sky. Our memories do live on, in as much as God wills it, as infused knowledge in the separated soul that has gone forth to be judged by him
The second solution (B) is much more pernicious and undermines a lot of what is good about the game, it is fundamentally the assertion of atheist existentialists- that life is meaningless but enjoy the ride and forget about how meaningless the whole thing is.
What should have Vivi said from his position as living before divine revelation? Well, ideally Vivi could have concluded A) our memories live on and B) Our lives have value from the good we achieve in them. C) The good we perform goes with us into the unknown of the next life to bring us some kind of reward.
3) Finally, in terms of natural theology, the game suffers, in its closing few hours, from a bizarre theological idea that all life, all souls, all existence, somehow depends on this giant space crystal and that if the space crystal is destroyed everything falls into annihilation.... The Almighty space crystal which is completely inert, indifferent, unthinking, rock is somehow the source of the existence of life- both spiritual and physical. Furthermore, the Almighty space crystal needs its creatures to defend it! Finally, the fact that the crystal is a thing, existing in the universe, causes anyone with a little bit of philosophical reasoning to realise that a thing, existing in the universe, itself composed of parts cannot be the eternal uncreated, source for the universe. Because the crystal is a material thing we can reasonably ask "how, indeed, did this crystal get there?"- Things don't simply exist they require an explanation. Even if the space crystal is the cause of other material life, the space crystal needs an uncreated, eternal, spiritual, immutable cause.
Overall I enjoyed playing FFIX- from a gamer’s point of view the game has a lot going for it- the music, the battle system, the lightheartedness, the character development. The game is also the very peak of the psx graphical capabilities. The battles system had fewer cracks in it compared to 8, which could easily be broken by the gamer and the summons are a lot shorter to watch! I’m probably rate it above ff8 and ff12 but under ff7 and 10.As the game went on I was disappointed with the nonsense Japanese new agey stuff that infects the otherwise healthy portrayal of characters trying to work out their place in the universe. The plot isn't as insidious as FFX, Xenogears or Final Fantasy Tactics but it isn't a preparation for the Gospel by any means.